You can now find the perfect preset for your tracks more easily than ever. With V12 you can also find and audition presets instantly using the new lightning-fast preset browser. You can now see and tweak your plugins more easily, maximize your screen real estate, and boost your productivity.
You can also customize different default sizes per plugin, to have them open in whichever size you prefer them. You can choose from five GUI sizes – up to 200% of the original plugin size. However, I think this experience of being cut short might be contingent on the kind of critical, active listening that one tends to employ when a Bandcamp release is marketed as experimental and critical.Waves V12 plugins now let you resize your plugins, in order to view them however large or small you want to. Just as it has settled itself in, it already fades out, creating a feeling of being cut shorta rare experience in a world of 23-track streaming albums where you often want less of whatever you are listening to. Many of the tracks sound like the artist wrote a full-length track and then rendered out a random thirty second sectionalthough perhaps that is the point Take Laurie Spiegels wonderfully crystalline and utopian space opera Fly By, which ends in an abrupt and unsatisfying manner. But while a sub three-second framework requires a total rethinking of compositional time, thirty seconds end up feeling neither here nor there. The press text even mentions Eno's infamous Windows 95 micro-composition.
Still, arbitrary track length limitations can be an inspiring compositional tool.
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